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书名/Title：俄罗斯现代主义：1907-1917年德国和俄罗斯艺术的交汇 | Russian Modernism: Cross-Currents of German and Russian Art, 1907-1917
作者/Author：康斯坦丁·阿金沙 ｜ Konstantin Akinsha
出版/Publisher：Prestel, 2021
装帧/Binding：精装，新浪，208页 | Hardcover, 208 pages
尺寸/Dimensions：22 x 30 cm
语种/Language：英语 | English
2021年5月14日至8月31日，纽约新美术馆举办了大型展览“俄罗斯现代主义: 1907-1917年德国和俄罗斯艺术的交汇”，致力于全面呈现于20世纪初俄罗斯与德国艺术中激进的现代主义运动。本书是该展览的同名图录。
俄罗斯和德国的艺术发展是并驾齐驱的，并时常交织在一起。德国人声称瓦西里·康定斯基、阿列克谢·冯·贾伦斯基等艺术家是属于德国的，但事实上他们是俄裔的艺术家。作为俄罗斯先锋派的重要人物，布尔柳克兄弟参加了布劳尔·赖特的首次展览。当俄罗斯艺术家们前往德国并定居于此的时候，他们的德国同行们在莫斯科展厅看到了他们的作品。
20世纪初，被称为表现主义的多元化艺术运动在德国形成，并由评论家赫沃斯·瓦尔登命名。桥社和蓝骑士等德国艺术团体的成员最初受到法国野兽派运动的影响，而他们的俄罗斯同辈们也试图在巴黎寻求新的艺术真理。然而，在德国和俄罗斯，法国艺术带来的新影响却使其发生了翻天覆地的变化。本书有助于读者深入了解20世纪初俄罗斯和德国艺术家的作品，以及他们对后辈的重要影响。
This catalogue accompanies a major exhibition entiled“RUSSIAN MODERNISM: CROSS-CURRENTS OF GERMAN AND RUSSIAN ART, 1907-1917” at the Neue Galerie New York in 2021, dedicated to the radical modernist movements in Russian and German art during the early years of the 20th century. Their development was parallel and often intertwined. Artists such as Vasily Kandinsky or Alexei von Jawlensky are claimed by the Germans but remain Russian artists for the Russians. The Burliuk brothers, who became celebrities of the Russian radical art scene, participated in the first exhibition of the Blauer Reiter. Russian artists travelled to Germany and lived there, while their German counterparts were aware of what was shown in Moscow exhibition halls.
The diverse art movement known as Expressionism was formed in Germany at the beginning of the 1910s and was given the name by the critic Herwarth Walden. Members of groups such as Die Brucke and the Blauer Reiter were initially influenced by the French Fauves movement, and their Russian contemporaries also tried to find new artistic truth in Paris. However, both in Germany and Russia the new French influence underwent radical transformation.
Beautifully illustrated and designed, this book provides insight into the work of Russian and German artists in the early years of the 20th century, and their enormous influence on future generations.
作者康斯坦丁·阿金沙是纽约《艺术新闻》杂志的特约编辑，也是德国纽伦堡日耳曼国家博物馆的研究员。他曾撰写多部著作，包括《圣地》（2007年）（与格雷戈里·科兹洛夫合著）以及《革命的葬礼》（2021年）。
Konstantin Akinsha is a contributing editor for ARTnews magazine, New York, as well as a Research Fellow at the Germanisches National Museum, Nuremberg, Germany. He has written a number of books, including The Holy Place (2007) (co-authored with Gregorii Kozlov) and T he Funeral of the Revolution (2021).
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